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During the excavations at Naukratis, North Africa,
in the end of the 19th century, many vases with similar styles
and they were naturally thought as the local product. Excavations
at Chios, however, produced similar vessels, as well as the
vases with older styles, and these vessels are attributed
to Chian workshops [1].
Chian workshops, who still produced vessels
with Sub-Geometric style, introduced wild goat style when
South Ionain workshops turned into the middle wild goat style
II.The characteristics of their pottery is white slip covering
whole surface of the vases.
Although the earlierst painters have a style
similar to that of South Ionia, they gradually developed their
own style. Filling ornaments look heavier and roughly arranged.
Other than South Ionain patterns, they also introduced new
patterns (fig.1-2). Meander and cable patterns are common
patterns for friezes and the latter is slenderer than that
of South Ionia.
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fig.1
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fig.2
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The most obvious difference from South Ionian
pottery is the shape. Their favourite shape is the chalice,
a deep cup with a foot and two horizontal handles. They occasionally
made dinoi and oinochoai.
The style changed at around 600 and developed
into the Animal Chalice style. The shape become slender and
animal figures are arranged within friezes, instead of interrupted
by floral patterns as on earlier vases. Traditional wild goats,
water birds and hounds become rarer while lions, sphinxes,
bulls and boars become popular and even human figures are
occasionally introduced. Added purple was used for the figures
to give some accent. Interior is covered with black and floral
patterns such as of palmette and lotus are painted with white
and purple. Other than chalices, they occasionally made phialai,
kantharoi and hydriai.
Following the animal chalice style, they developed
Chalice style. They no more used filling ornament and painted
only a figure, such as a lion, on one side while the other
side has a floral pattern or no decoration. Sometimes human
figures are painted and the style is similar to later Grand
style. Below the main picture generally has a thunderbold-like
pattern.
These vases are found from East Greek regions,
as well as from Aigina, while no example is known from the
mainland. They are also found from the Black Sea regions,
such as Olbia and from North Aflica, such as Naukratis. Even
from Taranto, Catania, Marseilles and Ampourias small numbers
of vases are excavated.
[1] |
For the
excavations at Emporio, Chios, see, Boardman,J., Greek
Emporio (1967). For Chian wild goat style and black
figure pottery, see, Lemos,A.A., Archaic pottery of
Chios: the decorated styles, (1991). |
[2] |
For the
pottery from Aigina, see, Williams, D. J. R., "Aigina.Aphaia-Tempel
v: the pottery from Chios", AA 1983, pp.155-186 |
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